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ARTFRAME Best Practices Cataloging Advisory Committee

2018 ARLIS/NA Cataloging Advisory Committee (CAC) Annual Meeting Report

The CAC held their annual meeting on Wednesday, February 28, 2018 at 3:30pm in the New York Hilton Midtown during the ARLIS/NA 2018 Conference. The meeting was attended by members of the Committee, as well as approximately twenty ARLIS/NA members.

CAC members for the 2018-2019 year are: Bronwen Bitetti (Chair, 2nd year), William Blueher, Sherman Clarke (representative to the ALA Subject Analysis Committee), Samantha Deutch (ARLIS/NA Executive Board liaison), Marie-Chantal L’Ecuyer-Coelho, John Maier (representative to the MARC Advisory Committee), Liz O’Keefe, Maria Oldal, Andrea Puccio and Karen Stafford (representative to the ALA Committee on Cataloging: Description and Access).

New members joining the Committee are: William Blueher, Metadata and Collections Librarian at the Watson Library, Metropolitan Museum of Art; Andrea Puccio, Collections Management Librarian at the Clark Art Institute; and Elizabeth O’Keefe, formerly of the Morgan Library & Museum. The CAC thanked previous member, Tamara Fultz, for her service and work on the Committee.

During the last year the Committee petitioned the Executive Board to clarify language around membership of the CAC in the Policy Manual, which was accepted. It is now clear that the Committee consists of: 1 Chair, 6 members and 1 liaison to the Executive Board. The three representatives to outside bodies are appointed additionally, are considered full committee members rather than ex officio, and need not be counted in the main membership body.

The Committee heard reports from representatives to outside bodies, summarized below.

Karen Stafford (CC:DA; midwinter report)

  • Governance structure has changed. A new group called NARDAC has been created and will sit between CC:DA and the RSC. The proposal process has not been ironed out yet.
  • RSC website now has selected presentations posted along with several relevant IFLA documents. LRM officially endorsed in August and that will affect 3R (RDA Toolkit update and redesign).
  • They are working on FRBRoo (FRBR-object oriented) to LRMoo document coming this fall. Related to that is PRESSoo which deals with continuing resources
  • 3R pushed back to June 13th from mid-April. No immediate implementation to allow for changes to be analyzed and new policy statements and training documents to be added
  • CAC submitted comments in response to the RDA pop-up meeting at ALA Annual 2017. Of interest to us is that color content is a new expression value; our other comments filed away for after 3R project.
  • Most of day 2 of CC:DA was about new directions for CC:DA, one interesting idea that came up was to become lobbyists for metadata and generating tools for librarians to use to advocate for metadata in our own communities.

John Maier (MAC)

  • One actual proposal for  the cartographic community to make it possible to put more information on digital cartography into the MARC record – passed
  • One discussion paper that became a proposal and was then passed was on adding more information to the record about language to aid accessibility – link to paper
  • Another discussion paper that will probably come back as a proposal: use of local indicators for subjects, pushed by the Germans, this paper proposes a machine generated provenance field in the 883 rather than a $5 in the 6xx fields – link to paper
  • One of the discussion papers was just an inventory of the available remaining subfields

Sherman Clarke (SAC; midwinter report)

  • FAST folks at OCLC are doing research connecting terms to Wikipedia articles and Wikidata terms (just topicals). There have been a lot of discussions here on trying to get different languages to talk better to one another, perhaps keep this in mind.

 

We recapped our separate meeting (2/27/2018) with Janis Young and Libby Dechman of the Policy and Standards Division at the Library of Congress on the recently accepted art-related terms for LC’s Genre/Form Terms (GFT) and next steps. A small group of terms came up during the comment period as terms that should be added (including: Pottery, Installations (Art), Multiples (Art)) and we discussed submitting those records separately. We also revisited the benefits many in the art community would get from having Reproductions as a term, as well as the difficulties it presents, but could not come to consensus and agreed to continue talking about it. Janis Young will draft an instruction sheet for the art terms, which will explicitly address the high-level application of the terms in LCGFT, separating it from more specific subject vocabularies like AAT. We will work on finalizing this with her.

The CAC discussed their work on the ArtFRAME project, which Marie-Chantal presented on in a session at this year’s conference with our colleagues from Columbia and Cornell, organized by Maria. The session was well-attended by 75 people and was very timely, impacting projects currently underway. Marie-Chantal, with Elizabeth O’Keefe, plans to turn the presentation into an Art Documentation paper which will include final results of the project, and invited participation from any other interested members. The deadline for a draft is August 1.

There was discussion about an issue currently under debate–how to model Style/Culture. The issue is that it seems natural to attach the Culture attribute to the Creator, but in art cataloging, we often have unknown creators. This situation could necessitate creating an anonymous individual, which is a solution that presents difficulties when you have a certain amount of information (ie: Unknown Flemish follower of X) and want to use a URI. Further, in some content standards, Culture and Style are a property of the Work, not the Creator. Lively discussion ensued and will continue.

Liz reminded the Committee that we were invited to give feedback on the Rare Book and Manuscripts Section Policy Statements (RBMS-PS) on sources of information without a title page, as well as some other areas regarding graphic materials.

The Committee discussed new projects to embark on. Someone in the Cataloging Section meeting asked if there were any plans to update the Cataloging Exhibition Publications: Best Practices document that is published on the CAC page of the ARLIS/NA website, which has not been updated for RDA. There was a general consensus that we should do this work. The group discussed whether the document should be more philosophical or specific in terms of application and there was agreement that a philosophical document would be useful, accompanied by examples of implementations by institutions. We discussed how best we might achieve this and where/how it should be published– on the ARLIS/NA website? In the RDA Toolkit post 3R? It was agreed that asking the larger ARLIS cataloging community for problematic examples would be helpful, so that we are able to provide some guidance for the difficult material and not just find examples that are clear-cut. Karen suggested that when this publication was finished, we might consider doing a webinar that could live on the Learning Portal about it.

There was discussion about programming for next year’s conference on cataloging artists’ books and zines and a question about publishing best practices for cataloging this type of material. We gathered names of a group of Committee members and non-Committee members who might be interested in joining on a task force on this issue.


Catablog would like to thank Cataloging Advisory Committee Chair Bronwen Bitetti for sharing these notes with us.

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conference conference presentations section meeting

2018 ARLIS/NA Cataloging Section Meeting Recap

On Monday, February 26 at 11:15 AM, the Cataloging Section met for its annual meeting in the Madison room at the Midtown Hilton. Attendance was high, with at least 40 members in the room.

The meeting had a full agenda, beginning with the introduction of Emily Walz, Librarian in the Art & Architecture Collection at the New York Public Library, as the section’s new moderator. Adam Robinson, Cataloging and Metadata Services Librarian at the Phildelphia Museum of Art, was introduced as the new Vice Moderator/Moderator Elect.

Andrea Puccio from the Clark Art Library announced an opening for a paid 1-2 year fellowship position in her library. Maria Oldal from the Morgan Library made an announcement about a session taking place later in the conference about ARTFRAME.

Numerous section members gave reports and updates from various committees: Karen Stafford briefed the group on the ALA Committee on Cataloging: Description and Access, John Maier reported on the MARC Advisory Committee, Sherman Clarke gave an update on the activities of the ALA Subject Analysis Committee and the LCGFT (Library of Congress Genre Form Terms) Art Project, Bronwen Bitetti had  report from ARLIS/NA’s own Cataloging Advisory Committee, and Marie-Chantal L’Ecuyer-Coelho presented on ARTFRAME.

After updates, Kelly Swikard, Resource Description Librarian at the Decker Library at the Maryland Institute College of Art, gave two mini-presentations: The Ties that Bind Books: Adding Creator Characteristics and Binding Fields to Artist Book Records and Cataloging in RDA for Art Exhibition Publications: A Practical Handout. The handouts will be posted on Catablog soon.

Discussion was then opened up to the group. Moderator Emily Walz gave an update about the Section’s blog, Catablog (catablogweb.wordpress.com). The blog was launched in late 2017, thanks to the efforts of outgoing moderator Chantal Sulkow. There was discussion about what the group would like to get out of the blog, and how to unify content the Section might find interesting or useful from multiple sources. The group was responsive to the idea of collaborating with other cataloging and metadata groups both within and outside of ARLIS/NA for generating content for the blog and developing future conference sessions. The group generated many ideas for future conference sessions they would like to see.


Thank you to everyone who attended this year’s meeting! It was a great group!

Thoughts or ideas about future conference sessions you’d like to see? What would you like to see discussed on Catablog? Tell us in the comments, or use the “Contact” link to send us a message!

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BIBFRAME cataloging ISNI Linked Data Stanford University Libraries

A Day in the Life of the Transition to BIBFRAME 2.0 and Linked Data

By Kay Teel, Metadata Librarian for Serials and Arts Resources, Stanford University Libraries

My institution is participating in Linked Data projects and the move to BIBFRAME, and all metadata librarians here are involved in these efforts in some way. What does this “bleeding edge” participation look like from the trenches? What follows is a snapshot.

Start the morning off right with a large chai latte and some identity management. A shared spreadsheet contains hundreds of names that never underwent authority control. Each librarian selects a few dozen names to work on. The first step is to search the Library of Congress authority file through its Linked Data Service. If the name is the Name Authority File (NAF), I input the name’s URI into the spreadsheet. If the name is not in NAF, I go to ISNI, as my institution is participating in the PCC ISNI Pilot Project.

Searching ISNI is challenging because there are many duplicates, and each different kind of search (for example, “any phrase” or “name keyword”) yields different results. If the name is in ISNI, I input the name’s ISNI URI in the spreadsheet. If it’s not in ISNI, I login to the ISNI production database website to create a new ISNI record. There are not a lot of required fields, and ISNI doesn’t follow any set of cataloging rules, only its own guidance. I input the name, title of the resource where the name came from. Any other information I have about the name (such as language of the resource) is optional. After I save the record, it is in provisional status until eventually it is reviewed to become an assigned ISNI. After it is assigned, there is an ISNI URI available for the name.

What a search result looks like in the ISNI production system

 

For some projects I also search ORCID and input ORCID identifiers for names found there.

At lunchtime, chances are there will be a webinar about FRBR-LRM, RDF, or Linked Data project updates.

After lunch, I attend a weekly team meeting of five colleagues who are building BIBFRAME Profiles to be used in my institution’s BIBFRAME Editor. During the meeting we look at the latest behavior of our profiles by examining the JSON-LD output and RDF graphs. Building a profile requires reading the BIBFRAME 2.0 vocabulary and mapping the properties and classes to the appropriate level (Work, Instance, or Item), finding vocabulary sources such as Library of Congress’s Linked Data Service or the RDA Registry, and a lot of troubleshooting. Our profiles are built on a web form based on the Library of Congress’s BIBFRAME Profile Editor, and the team monitors changes LC makes through their Github code depository.

 

 

After the meeting, I have tasks to complete on my assigned BIBFRAME Profile (for serials). Today’s tasks include going through the list of unconstrained properties at the RDA Registry and deciding which ones are required for serials, and which ones are not relevant or nonessential for serials. I also need to de-bug some existing modeling to figure out why some of the RDF triples ended up floating by themselves in the RDF graph (not supposed to happen!).

 

 

After I track down the bug (some errant properties had been modeled to take literal strings as their objects, but the only valid objects for them are BIBFRAME classes), I have some time to review a file of vendor-supplied MARC records containing URIs in subfield zero ($0) of access points such as names, subject headings, and series. This requires plugging the URI in a browser and seeing what data results. If the data appears to match the name in the MARC record, it’s good. If not, I highlight the field in the file and mark it as a mistake. The URIs come from the Library of Congress Linked Data Service Name Authority File, ISNI, or VIAF.

At the end of the day, I work on assignments for the Python programming course I’m taking, and if there is time before I need to catch the train home, I do some RDA cataloging in MARC in OCLC.

(This essay reflects the personal opinions of the author and not the official views or policies of Stanford University Libraries)

The Cataloging Section welcomes contributions on the topic of cataloging within the art library community. Please share relevant resources, issues, conundrums, projects, cataloging hacks, tips and tricks or news from your library! We would love to hear from catalogers like you.

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backlogs cataloging conference presentations met museum

Beyond the Backlog: How the Thomas J. Watson Library Made Their Backlog Disappear

Those who were in New Orleans for the 2017 ARLIS/NA conference in New Orleans earlier this year may remember Tamara Fultz’ fascinating presentation at the last Cataloging Section meeting.  Titled “Beyond the Backlog: How the Thomas J. Watson Library Made Their Backlog Disappear”, this PowerPoint presentation (click the link below to download!) is a valuable summary for any cataloger or librarian looking for solutions to a seemingly endless backlog.

Tamara Fultz is the Associate Museum Librarian, Principal Cataloger, at the Thomas J. Watson Library at the Metropolitan Museum of Art in New York City.

BeyondtheBacklog  (click link to download)

Photo credits listed below.

Empty backlog Watson pic
Shelves where the Watson Library’s backlog used to be!

 

Watson
View of the main reading room at the Thomas J. Watson Library at the Metropolitan Museum of Art

 

met- library entrance
Entrance view to the Thomas J. Watson Library at the Metropolitan Museum of Art: 
Patio from the Castle of Vélez Blanco, Gallery 534

 

DP336465-JPG_Original_300dpi
View of the Thomas J. Watson Library at the Metropolitan Museum of Art: Samuel Yellin’s Door and Key in Original Door Frame in Watson Library

Images in this post: 
– Tamara Fultz
– https://www.metmuseum.org/blogs/in-circulation/2014/welcome
– http://www.artlibrarycrawl.com/2012/09/the-metropolitan-museum-of-art-thomas-j.html
– https://www.metmuseum.org/blogs/in-circulation/2017/samuel-yellin

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Welcome to Catablog!

Welcome catalogers, librarians and all those interested in learning about the world of the cataloging librarian! CATABLOG is the blog of the Cataloging Section of ARLIS/NA, The Art Libraries Society of North America. We welcome contributions on the topic of cataloging within the art library community. Please share relevant resources, projects, cataloging hacks, tips and tricks or news from your library! Are you working on an intriguing cataloging project at your library? Have you eliminated your backlog? Have you recently cataloged something really cool and would you like to share it here? We’d love to hear from you.

As we get started we will be reaching out and contacting members of the Section for contributions. We look forward to providing a platform for the cataloging community to share their experience and knowledge.

Chantal and Emily